"Among the women I particularly liked Heidi Bunting, whose solo in "Portraits" had impressive weight and clarity". • David Vaughn, Dance Magazine, May 1975 "I was particularly taken with Heidi Bunting, who displays a formidable classical technique without in the least making it an issue". • Doris Hering, Dance Magazine, July 1977 "The bright-eyed, athletic Heidi Bunting keeps stealing your attention with her up-front energy". • Tobi Tobias, Dance Magazine, June 1978 First, Heidi Bunting, a lavender lady filling the space with joy and sorrow in her own solo piece, "Adagio ma non Troppo" to music by Charles Mingus. Bunting claiming every crevice of the gallery, pouring her own essence into the space through strong, dramatically lovely shapes, motions and images, when she left the room it returned to it's own neutral ness". • Joan Pikula, Dance Magazine, February 1975
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